Zoom r16 multitrack1/19/2024 I think it complements perfectly a pocket recorder, like the microtrack II. That's its main strength: It's a multi-task device that allows you to work without a PC. I've had the R16 for 2 years and use it in my home studio, as a multi-track field recorder (radio deck, conferences) and a soundcard. Here are samples of what I've done with the R-16 (excluding the first song, this was done with the Zoom H4n) I love this little recorder and will probably replace it when it dies. The US-1200 records well with very little latency but, it is a bit on the large side. I've tried and returned a Presonus 44VSL and I'm selling a TASCAM US-1200. I gave up on it 10 years ago because of the setup problems and latency issues. A few months ago I decided to try DAW recording after my guitar instructor presuaded me to try it again. I can't believe how well it works as an interface. The best use for this unit, at least for me, has been direct, multi track recording with transferal to DAW (REAPEAR and GARAGEBAND) with the SD card and recently as an audio interface for DAW. I have setup a bit of reverb to record with the R-16 and it stays in memory until I change it. Transfering WAV files into the unit is a bit tricky, as is mixing but, can be done with persistance and use of the manual. Everything was recorded onto the SD Card. Plugged it in, plugged in a mic and guitar, armed the tracks, hit record and I was good to go. If I hadn't thrown the R-16 into the case for extra measure I would have been SOL. It was a real life saver when my Tascam US-1200 drivers wouldn't kick in on a live recording of a singer that was only available on that afternoon, at her location. I've hauled it to practices, gigs, and it always works flawlessly. The R16 has held up over 2 years of use and it's been, surprisingly, portable and road worthy. I've gone through a few audio interfaces (Presonus, Tascam) and I'm still looking for something that is that much better than the R-16 to justify the purchase. (You must install the interface software from ZOOM before connecting or it will not work properly.) I recently started using the Zoom R16 as an audio interface (after returning a Presonus 44VSL after a week of adjusting, configuring to end up with latency problems) and have been very pleased with the results of the R16's interface capabilities. The Tascam products tend to record a bit brighter then the Zoom products I've had (H4n, R16, H2), which tend to have a warmer sound that I prefer. I've used Tascam Portastudios for years and decided to replace it with the ZOOM because of the bad experience with the NEW DP-24 Portastudio. They are clean and warm with plenty of headroom/volume. The onboard mics are really nice though I dont use them as much as I should. I've hauled this to gigs, live shows, bathrooms, and my home studio. I've used the USB transfer and it works well without latency and configuration issues (after installing the download from ZOOM) but I prefer the simplicity of using the SD card for transfer to MAC. I use this for direct plug in recording then transfer it to REAPER or GARAGEBAND for editing and adding effects, EQ, pan, synth sounds, etc. The effects are a bit more challanging to engage but, if your familiar with menu selections you won't have any problems with it. The recording on this couldn't be easier. At least until I purchase an interface that fits my needs as well as the R-16 does. Not as clean, bright as a DAW interface but, the ease of use, reliablity, portability make it my recording device of choice. Zoom products have a clear, warm sound that I tend to appreciate. I was able to start recording right away and have been very pleased with the results. I needed the 8 inputs that it offered and it was at my price range so I got it after the disaster with the DP-24. I was resistant to purchasing this earlier, when I purchased the DP-24 because it felt like a toy. dont get me started on the lack of warranty on Tascam). I bought this to replace a faulty Tascam DP-24 Portastudio (6 months old.
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